Douglas Murray, MPSE, is a Northern California based sound editor, sound designer, and sound mixer for feature films and sometimes TV. He won an Emmy for Hemingway and Gellhorn and Golden Reels for War for the Planet of the Apes, and Harry Potter and the Goblet of Fire for his sound editing and has been nominated for nine other Golden Reels and three other Emmys, and also for two Cinema Audio Society awards for outstanding sound mixing. He has worked on dozens of feature films in his forty-year career, including The Batman; Ad Astra; Dawn of the Planet of the Apes; A Cure for Wellness; Men Go to Battle; The Lone Ranger; Let Me In; Two Lovers; We Own the Night; Cloverfield; Ice Age, The Meltdown; Harry Potter and the Goblet of Fire; Contact; The English Patient; Johnny Mnemonic; Twin Peaks, Fire Walk with Me; Dear America: Letters Home from Vietnam; and many more. 

Working with the creative, storytelling, and technical challenges of film sound with so many talented artists has sharpened his interest in sound as a means of play and expression. He is currently devoting more time to making what he likes to think of as organized musical sound composition. 

http://www.imdb.com/name/nm0614924/