Referencing Sound for TV and Film in 2020

How do we make critical judgments on quality for mixes, formats and distribution methods? How do diverse teams of editors, scoring mixers and re-recording mixers pursue common sonic understanding? Finally, how do we present our mixes for client approval, particularly when we can't be in the same room? This panel will discuss the tools and methods used in today's world to determine sound quality, using specific examples from Ozark and recent film work by scoring mixer Dennis Sands. Presented by PMC 

Moderated by: Tom Kenny - Mix

Panelists: